\\Thesis prep design pin-up 1
Reality is radical; rad. This is reality after disaster; r.a.d.
Earthquakes. Floods. Landslides. Poverty. Crime. Riots...All reality, all radical and presumably, all found in Los Angeles; The City of Angles. Los Angeles has an explosive and radical history. This puts LA in a unique position of being highly susceptible to a “worst case scenario” urban condition. This threat was highlighted during the riots of the early 90’s. Additionally, projected threats of sea-level rise, global warming, overpopulation all present themselves here. This thesis does not seek to solve a problem or even answer a question but rather ask the question: what the hell are we going to do?
First mapping of LA + design sketch. Liquefaction; fault; income; neighborhoods; LA river.
Mapping of Long Beach port; aerial photo of containers.
Additional Precedents.
Wednesday, October 19, 2011
Sunday, October 16, 2011
Cite.
\\Thesis prep assignment 1
Cite.
Before architecture has even a site, it is a citation; a borrowing; a reference. All architecture references its predecessors, whether intentional or not. What cam before inevitably influences what will come next. This assignment seeks to cite the idea before you site the idea. This was also our first "public" presentation of our thesis proposal to our peers. A majority of the presentation was directly from the proposal with the exception of some reformatting and additional images and paragraphs (found below).
Complete Assignment 1 Presentation
Rivers of Conflict, Sectional inquiry/experiment
On Performance
Increasingly, architectural discourse has begun to obsess about “performance.” This is evident in Landscape Urbanism and Ecological Urbanism. No longer are conversations in academia centered around archaic notions of form and function or of composition, place and light, but rather on a notion of performance. So, what is performance? As it stands, notions of performance stem from Corbusian ideas where “architecture as a machine for living”, transformed into “architecture as living machine”. Thus “performance” often refers to mechanical performance; efficiency, production and consumption all terms in architectural zeitgeist. Additionally, the “sustainability” or “green” bandwagon engage dominantly mechanical or resource centered ideas. Yet, performance has many connotations, where mechanics are only a small portion.
In the artistic sense, performance may refer to an exhibit or spectacle, more related to ephemeral concepts like elation and entertainment, rather than objective measurable performance. In a similar sense, performance may also refer to an exaggeration of a particular process, i.e making a performance of something rather mundane, which implies an utter lack of efficiency.
While mechanical performance is important for obvious reasons, I am interested in the combination of all of the senses of performance. In essence, a performance of performance. In particular, I am interested in performance that requires a cultural performance, in effect altering cultural norms and replacing them with new and exciting cultural processes.
For example, Bjarke Ingles’ Waste to Energy plant in Coppenhagen contains measurable and cultural performance, both spectacles. CO2 emissions are measured by ton, and performed as a gigantic one-ton carbon smoke ring released from the crown of the building, while the roof of the building serves as a public ski slope, altering the traditional sense of roof, mountain and skiing. Renderings of jubilant skiers are coupled with analytical diagrams of CO2 emission and storage.
Selected Bibliography Citation/Annotation
Allen, Stan, and Marc McQuade. Landform Building. Lars Muller Publishers: Baden, 2011.
“Landform building is less interested in the imitation on natural form and more interested in new programmatic possibilities that are opened up by the creation of artificial terrains . Landform building favors program, process and affect over formal similarity.”
-This book is a collection of projects which run in the vein of “Landscape urbanist” ideals, but challenge the discourse by retaining “building” as the central focus. Whereas Landscape Urbanism promotes urban landscape systems, Landform Building finds value in the distinction between landscape and building. Matters of site and ground are central to form and program making
Also, see below post thanking my [IN]Arch students for two additional resources.
__________________________________________________________________________________________
Requirements:
From: Raveevarn Choksombatchai; Assignment 1: Citing + Sectional Probe
Cite –
L. citare to put in motion, rouse, summon
1: to call upon officially or authoritatively to appear (as before a court)
2: to quote by way of example, authority, or proof
3: a: to refer to; esp: to mention formally in commendation or praise b: to name in a citation
4: to bring forward or call to another’s attention esp. as an example, proof, or precedent
As part of the process to identify both design thesis parameters and methodology, you are asked to prepare the following:
1. Re-investigate your past projects, then cite specific sections/details of the work where they posit the most architecturally
poignant set of inquiries closely linked to your thesis. Bring these projects to the class next Thursday.
2. Cite at least two excerpts from the bibliography of your thesis based on this particular assignment; please bring one hard copy
of each excerpt into class on Thursday as well.
3. Bring at least three case studies of architectural projects, which are exemplary of the inquiry stated in your thesis proposal.
4. Re-write a one-page (minimum of 1000 words) description of your design thesis proposal.
Experiment:
-Zoom-in images of those citations and create a collage of which the relationships among them are clearly defined and represented.
Writing:
-One-page (minimum of 1000 words) description of your investigation
Selected list from your bibliography and distribute your list in class.
Cite.
Before architecture has even a site, it is a citation; a borrowing; a reference. All architecture references its predecessors, whether intentional or not. What cam before inevitably influences what will come next. This assignment seeks to cite the idea before you site the idea. This was also our first "public" presentation of our thesis proposal to our peers. A majority of the presentation was directly from the proposal with the exception of some reformatting and additional images and paragraphs (found below).
Complete Assignment 1 Presentation
Rivers of Conflict, Sectional inquiry/experiment
On Performance
Increasingly, architectural discourse has begun to obsess about “performance.” This is evident in Landscape Urbanism and Ecological Urbanism. No longer are conversations in academia centered around archaic notions of form and function or of composition, place and light, but rather on a notion of performance. So, what is performance? As it stands, notions of performance stem from Corbusian ideas where “architecture as a machine for living”, transformed into “architecture as living machine”. Thus “performance” often refers to mechanical performance; efficiency, production and consumption all terms in architectural zeitgeist. Additionally, the “sustainability” or “green” bandwagon engage dominantly mechanical or resource centered ideas. Yet, performance has many connotations, where mechanics are only a small portion.
In the artistic sense, performance may refer to an exhibit or spectacle, more related to ephemeral concepts like elation and entertainment, rather than objective measurable performance. In a similar sense, performance may also refer to an exaggeration of a particular process, i.e making a performance of something rather mundane, which implies an utter lack of efficiency.
While mechanical performance is important for obvious reasons, I am interested in the combination of all of the senses of performance. In essence, a performance of performance. In particular, I am interested in performance that requires a cultural performance, in effect altering cultural norms and replacing them with new and exciting cultural processes.
For example, Bjarke Ingles’ Waste to Energy plant in Coppenhagen contains measurable and cultural performance, both spectacles. CO2 emissions are measured by ton, and performed as a gigantic one-ton carbon smoke ring released from the crown of the building, while the roof of the building serves as a public ski slope, altering the traditional sense of roof, mountain and skiing. Renderings of jubilant skiers are coupled with analytical diagrams of CO2 emission and storage.
Selected Bibliography Citation/Annotation
Allen, Stan, and Marc McQuade. Landform Building. Lars Muller Publishers: Baden, 2011.
“Landform building is less interested in the imitation on natural form and more interested in new programmatic possibilities that are opened up by the creation of artificial terrains . Landform building favors program, process and affect over formal similarity.”
-This book is a collection of projects which run in the vein of “Landscape urbanist” ideals, but challenge the discourse by retaining “building” as the central focus. Whereas Landscape Urbanism promotes urban landscape systems, Landform Building finds value in the distinction between landscape and building. Matters of site and ground are central to form and program making
Also, see below post thanking my [IN]Arch students for two additional resources.
__________________________________________________________________________________________
Requirements:
From: Raveevarn Choksombatchai; Assignment 1: Citing + Sectional Probe
Cite –
L. citare to put in motion, rouse, summon
1: to call upon officially or authoritatively to appear (as before a court)
2: to quote by way of example, authority, or proof
3: a: to refer to; esp: to mention formally in commendation or praise b: to name in a citation
4: to bring forward or call to another’s attention esp. as an example, proof, or precedent
As part of the process to identify both design thesis parameters and methodology, you are asked to prepare the following:
1. Re-investigate your past projects, then cite specific sections/details of the work where they posit the most architecturally
poignant set of inquiries closely linked to your thesis. Bring these projects to the class next Thursday.
2. Cite at least two excerpts from the bibliography of your thesis based on this particular assignment; please bring one hard copy
of each excerpt into class on Thursday as well.
3. Bring at least three case studies of architectural projects, which are exemplary of the inquiry stated in your thesis proposal.
4. Re-write a one-page (minimum of 1000 words) description of your design thesis proposal.
Experiment:
-Zoom-in images of those citations and create a collage of which the relationships among them are clearly defined and represented.
Writing:
-One-page (minimum of 1000 words) description of your investigation
Selected list from your bibliography and distribute your list in class.
Thursday, October 13, 2011
Playing Catch-up
Back from Japan. Koichi, Kayo, love you guys!
Yesterday we had a pin up of progress of our studio work, so I find it a good opportunity to post that here. Our third instructor and mentor Wes Jones has finally arrived in Berkeley and this pin-up was an effort to catch him up on our other "hut" iterations.
Jones asks the question "WTFDYTYAD" or "What the F%$# do you think you are doing?"
Below are my answers:
\\ID: I am wandering lost in the desert.
Desert Navigation Device: Beakon
Precedent: White Noise/While Light: J. Meejin Yoon: MIT; Bus Station: Zaha Hadid; Co2LED: Jack Sanders, Robert Gay and Butch Anthony
\\Ego: I am trying to find my way. (Am I chasing my own tail? Am I stuck in a worm hole?)
What is the ideal man?
Hut for walking in circles to ponder.
Precedent:EVOLVER: ALICE studio: Switzerland; Serpintine Pavilion: Olafur Eliasson
\\Superego: Why are you asking?
We came from caves...can architecture be cavernous?
Precedent: Ensamble Architecture: Truffle House; Ryue Nishizawa/ Teshima Art Museum
Thursday, September 29, 2011
Konichiwa
We made it to Japan. It is the first time that I have ever felt completely helpless in a city; it is crazy! I know only a few words so communication is difficult. Thank goodness we have Koichi to translate! More to come!
Monday, September 26, 2011
Turning Japanese
I will be "Turning Japanese" for a week while I head to Japan for a friend's wedding. We will be in Tokyo for most of the trip with a short stint in Nagoya for the ceremony. I hope to do some site research and possibly choose a site for my thesis. Don't know what to expect but can't wait! Hopefully I don't come back looking like one of these guys! Check -in for updates...
Wednesday, September 21, 2011
Studio Hut(s): Wes Jones, Gary Paige, Eric Kahn
In addition to posting progress about my thesis research and work, I will also be posting my work in various other pursuits.
-Marc Antoine Laugier, The Primitive Hut
This post, in particular, is my work thus far completed in my design studio entitled Hut(s). Led by Los Angeles based architects Wes Jones, Gary Paige, and Eric Kahn, Hut(s) questions the potential for contemporary applications of the concept of the "primitive hut". The studio is separated into three "iterative" explorations of the idea of "hut", each led by a separate instructor respectively. Based on the Freudian concept of the "Id", "Ego" and "Superego", each instructor has adopted one of these distinct characterization as a "fame" for the investigations of each of the three huts.
Plaster casting "void" models. Plaster cast around sand then sand removed to reveal unexpected geometries, sand-castle remnants.
The "Superego" hut: TBD
Professor bios:
wes jones (from website)
During Wes’ years as Design Partner at Holt Hinshaw Pfau Jones, the firm rose to national prominence for its technologically inspired work. His designs for completed buildings and theoretical projects have received acclaim for their "critical manipulation of technology," and the "engaging contemporary experiences" they create. His eight Progressive Architecture Design Awards include recognition for the Astronauts' Memorial at Kennedy Space Center and the $180M South Campus Chiller Plant for UCLA.
After six years as Design Partner at Holt Hinshaw Pfau Jones, Wes elected to form his own practice, Jones, Partners: Architecture. Current projects include offices in Venice CA, a coffee shop in Pittsburgh, and residences in Tampa FL, Hollywood, Silverlake and Redondo Beach.
A recipient of the Rome Prize in Architecture, Mr. Jones has lectured widely, and has served as visiting Professor in the schools of Architecture at Harvard, Princeton, IIT, Columbia, UCLA and the Ohio State University, and presently teaches a studio at the Southern California Institute of Architecture.
erik kahn (from website)
Gary Paige
Gary is cool.
-Marc Antoine Laugier, The Primitive Hut
This post, in particular, is my work thus far completed in my design studio entitled Hut(s). Led by Los Angeles based architects Wes Jones, Gary Paige, and Eric Kahn, Hut(s) questions the potential for contemporary applications of the concept of the "primitive hut". The studio is separated into three "iterative" explorations of the idea of "hut", each led by a separate instructor respectively. Based on the Freudian concept of the "Id", "Ego" and "Superego", each instructor has adopted one of these distinct characterization as a "fame" for the investigations of each of the three huts.
The "Id" hut (Erik Kahn): The feral, the animalistic, the impulsive hut.
Mapping densities in feral landscapes...
My initial investigations are focused on mapping the effects of water on the arid desert landscapes of north-central Arizona. I selected a "wash" in the deserts south of the Mogollon Rim, near Peyson, Arizona as the subject of my investigation. In an attempt to tie my studio work to my thesis ideas about changing ground conditions, studying these rapid flooding events that occur in desert washes offers an interesting case study.
Media: 2400 1"t-pins in a 30"x40" piece of 1/2" thick foam core
Further research revealed a dynamic relationship between these landscapes and the fauna found there. In particular, the mesquite tree is abundant in these extreme conditions due to an evolutionary advancement in their root structure. Having both a deep taproot as well as smaller surface root networks, the tree is opportunistic in that it harvests the water far below the surface while also taking advantage of heavy amounts of surface water during flooding events.
Mapping densities in feral landscapes...
My initial investigations are focused on mapping the effects of water on the arid desert landscapes of north-central Arizona. I selected a "wash" in the deserts south of the Mogollon Rim, near Peyson, Arizona as the subject of my investigation. In an attempt to tie my studio work to my thesis ideas about changing ground conditions, studying these rapid flooding events that occur in desert washes offers an interesting case study.
Media: 2400 1"t-pins in a 30"x40" piece of 1/2" thick foam core
Further research revealed a dynamic relationship between these landscapes and the fauna found there. In particular, the mesquite tree is abundant in these extreme conditions due to an evolutionary advancement in their root structure. Having both a deep taproot as well as smaller surface root networks, the tree is opportunistic in that it harvests the water far below the surface while also taking advantage of heavy amounts of surface water during flooding events.
Mesquite root structure.
Using the Mesquite tree as a formal, functional and structural case study, my next series of investigations will attempt to derive architecture potential from these interesting and unlikely relationships.
________________________________________________________________________________________
The "Ego" hut (Gary Paige): The logical, the rationalized version of the "Id's" initial instinct
Using the Mesquite tree as a formal, functional and structural case study, my next series of investigations will attempt to derive architecture potential from these interesting and unlikely relationships.
________________________________________________________________________________________
The "Ego" hut (Gary Paige): The logical, the rationalized version of the "Id's" initial instinct
Loose Fine Monterrey Beach Sands
For my second "hut" track, I have began by studying the relationships between ground in water in a series of simulations attempting to find pattern and form in the simple phenomenon occurring in between them. Fluvial phenomenon such as ripples, eddies, gorges etc. serve as inspiration for further architectural studies.
Detail of sand after the influence of surface water flow
Fluvial simulation series.For my second "hut" track, I have began by studying the relationships between ground in water in a series of simulations attempting to find pattern and form in the simple phenomenon occurring in between them. Fluvial phenomenon such as ripples, eddies, gorges etc. serve as inspiration for further architectural studies.
Detail of sand after the influence of surface water flow
"And so castles made of sand fall in the sea...eventually"
-Jimmy Hendrix, Castles Made of Sand
Inspired by this poetic Jimmy Hendrix lyric, my formal explorations attempted to prevent this exact phenomenon from happening. What if the sand castle didn't have to "disappear", but rather it's remains begin a new life.
Concept drawings of sand casting process.
Plaster casting "void" models. Plaster cast around sand then sand removed to reveal unexpected geometries, sand-castle remnants.
The "Superego" hut: TBD
Professor bios:
wes jones (from website)
During Wes’ years as Design Partner at Holt Hinshaw Pfau Jones, the firm rose to national prominence for its technologically inspired work. His designs for completed buildings and theoretical projects have received acclaim for their "critical manipulation of technology," and the "engaging contemporary experiences" they create. His eight Progressive Architecture Design Awards include recognition for the Astronauts' Memorial at Kennedy Space Center and the $180M South Campus Chiller Plant for UCLA.
After six years as Design Partner at Holt Hinshaw Pfau Jones, Wes elected to form his own practice, Jones, Partners: Architecture. Current projects include offices in Venice CA, a coffee shop in Pittsburgh, and residences in Tampa FL, Hollywood, Silverlake and Redondo Beach.
A recipient of the Rome Prize in Architecture, Mr. Jones has lectured widely, and has served as visiting Professor in the schools of Architecture at Harvard, Princeton, IIT, Columbia, UCLA and the Ohio State University, and presently teaches a studio at the Southern California Institute of Architecture.
erik kahn (from website)
IDEA is an architecture office lead by architects Eric A. Kahn and Russell N. Thomsen, both founding members of the renowned firm, Central Office of Architecture. Both Eric and Russell are licensed to practice architecture in the State of California.
IDEA incorporates over twenty-five years of design experience into a new practice; one proper to the dynamic nature of contemporary culture. It is a culture characterized by conflicting desires, competing models and contradictory views regarding how to effectively move humanity forward. IDEA develops projects that embody and exemplify a provisional response to this dynamic condition.
IDEA practices architecture as if, more than ever, ‘design matters’. Each project is not a cultural depletion but rather (as it must be) a substantive contribution, enriching the human condition.
IDEA runs on ideas, not the steady production of imagery and repeated stylistic variants others claim as architecture. Whether working with institutional clients such as the Getty Conservation Institute or the Los Angeles Philharmonic Association, or the owners of a single-family house in Tokyo, our projects engage a wide array of interests under the umbrella of an architectural practice.
IDEA operates and conceives of architectural solutions at multiple scales, from installations at the Walt Disney Concert Hall to large scale scenarios for plausible, sustainable futures for the City of Los Angeles.
IDEA is invested and passionately devoted to architecture; form and utility are tightly bound together, directing opportunities for joy, delight and the production of unusual forms of beautiful intelligence.
IDEA incorporates over twenty-five years of design experience into a new practice; one proper to the dynamic nature of contemporary culture. It is a culture characterized by conflicting desires, competing models and contradictory views regarding how to effectively move humanity forward. IDEA develops projects that embody and exemplify a provisional response to this dynamic condition.
IDEA practices architecture as if, more than ever, ‘design matters’. Each project is not a cultural depletion but rather (as it must be) a substantive contribution, enriching the human condition.
IDEA runs on ideas, not the steady production of imagery and repeated stylistic variants others claim as architecture. Whether working with institutional clients such as the Getty Conservation Institute or the Los Angeles Philharmonic Association, or the owners of a single-family house in Tokyo, our projects engage a wide array of interests under the umbrella of an architectural practice.
IDEA operates and conceives of architectural solutions at multiple scales, from installations at the Walt Disney Concert Hall to large scale scenarios for plausible, sustainable futures for the City of Los Angeles.
IDEA is invested and passionately devoted to architecture; form and utility are tightly bound together, directing opportunities for joy, delight and the production of unusual forms of beautiful intelligence.
Gary Paige
Gary is cool.
Tuesday, September 20, 2011
Thanks to my [IN]Arch students
I just wanted to post a thank you to my awesome Berkeley [IN]Arch students for their gift card to William Stout book store! I bought two great books with the money, which each relate to my thesis in some way.
Thanks guys!!
First:
Mayne, Thom. Combinatory Urbanism: The Complex Behavior of Collective Form. Ed. Stephanie Rigolot. Culver City: Stray Dog Cafe, 2011.
Weblink: Combinatory Urbanism: The Complex Behavior of Collective Form
PDF doc (excerpt): Combinatory Urbanism
Thanks guys!!
First:
Mayne, Thom. Combinatory Urbanism: The Complex Behavior of Collective Form. Ed. Stephanie Rigolot. Culver City: Stray Dog Cafe, 2011.
Weblink: Combinatory Urbanism: The Complex Behavior of Collective Form
PDF doc (excerpt): Combinatory Urbanism
"This book showcases 12 case studies of urban design by the architecture firm Morphosis. This book is of particular interest for it’s multidisciplinary approach to urban and architectural design. Recognizing the complexities inherent in any modern urban setting, Morphosis’ proposals dance between scales, literally and figuratively blending architecture, landscape and urban design understanding. They have developed new urban models, geared towards site specific urban gestures that serve multiple civic functions providing architectural stock, infrastructure, public space, etc. Each project recognizes the capacity for our building practices to stretch beyond the site as well, integrating multiple urban systems into unprecedented urban forms."
Second: 49cities
-This book is of relevance to my thesis in that it chronicles and "ranks" 49 utopian visions for urban planning. As my thesis crosses into the realm of planning, this book is an interesting survey in visionary planning ideas. Although I would say the ranking system is questionable, it tests our assumptions about what makes a good or perfect city against our actual urban practices. For example, Corbu's "Radiant City" is ranked first, due to a combination of large open and civic space and tall residential towers, but it has been proven that this mode of urban planning is detrimental and results in poverty and lack of "placeness", exposing a disconnect between our expectations and actual every day lives within a city.
Weblink: 49 cities
PDF doc:49cities
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